The band's only EP is so good it'll make you mad that they haven't made more music.
On ‘All This Time’, Ali Suhail sings: ‘‘and the cracks begin to show / in the sky i’ve always known / to be clay’. It’s not only one of the best lyrics he’s penned, but also a summary of how ‘Pursuit of Irrelevance’ feels to listen to. Concrete melodies that initially seem steadfast break apart
In an interview with Emboss Magazine, Toronto-based artist Ramsha explains her creative process: “My role as a musician is to sculpt harmonies out of sounds and vibrations which further the beauty of the cosmos”. This reads less like an explanation and more like a manifesto, and it’s quite refreshing to hear an artist speak
When Islamabad-based post-rock artist Hasan Abbas decided on a rebrand, he chose the Soan river that cuts through Punjab as a representation of his music. It makes sense - his previous work has often had an aspect of ebb and flow to it, especially the wah-wah effects that pop up in almost every Streams of
The Foreversouth Collections thus far have tended to favour the more accessible side of the Karachi electronic artists that come under its roster. In many ways this is beneficial, creating a more cohesive collection and challenging the artists to create in a more constrained, ‘poppier’ environment. Under some circumstances, this can lead to stagnation - artists that
‘Plumas’ is an album that moves from esoteric electronic pop to ambient music, from lyrics like ‘fingers and toes respond when touched’ to echo-drenched indeterminable vocals, all smoothly transitioning in a cohesive and luscious release. The opening half, from ‘Window’ to ‘El Amohadon de Plumas’ is a journey of electronic jazz, where synth lines