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Hotcues 1-7 – Foreversouth Artists

Unlike previous Forever South Collections, the Hotcues series is manic, frenzied and relentless. While FXS Collections Vol.3 was a colourful experience, Hotcues occasionally moves into trap territory and, while it sounds massive and exciting, there’s a niggling worry that trap is already somewhat out of date, a rigid percussive genre that is running out of places to go. Like EDM, trap occasionally

Karachi Files – Various Artists

    A mission statement, taken from the Noland label Soundcloud: “NOLAND is not about global and local, not about identity, not about diversity and not about North and South cooperation. NOLAND is about a constellation of individuals, of identities, about laughing, arguing and the cosmic beauty of making music together in space which has

Naubahar – Dynoman

  I’ve always, like many people, hated the term ‘fusion’ music. There’s an Indian restaurant down the road from where I used to live that advertised itself as a ‘fusion’ restaurant, blending Indian cuisine with fresh, innovative recipes. “Yes, you can have Tikka Masala but we have some new ways for you to enjoy it” 

Trips Alone – Tollcrane

I always find it difficult to write about electronic music like this, as it seems so dependent upon space. Tollcrane’s latest LP has a cavernous, huge sound to it, that seems more suited to a warehouse than bursting though headphones. There is the sense that this is very much dance music, made for moving bodies,

Cashmere – Swet Shop Boys

First Impressions: T5 I get ‘interviewed’ at Durham Airport (fucking DURHAM airport) where a nice woman looks through my bags and says what's this? (hard drive) and what's this? (camera batteries) and have you ever been involved in tribal warfare? (no). I feel like a little schoolboy and I'm reminded of a time at school when the lunch lady asks

Soulspins EP – Slowspin

  I came across Slowspin, aka Zeerak Ahmed, after falling into a soundcloud hole, prompted by Tonje Thilesen's fantastic article in Pitchfork Magazine entitled Searching for an Underground Generation in Karachi, Pakistan. First was Rise, a steadfastly lo-fi track, with a generous glaze of vinyl crackle covering the whole thing. The repeated lyric is almost indecipherable — don’t… very far? go back

Mythic Tales of Tomorrow II – NAWKSH

In an interview with The Quietus, Nawksh, the moniker for Karachi-based producer Danial Hyatt, says: “My music is a deep-dive into the most difficult, darkest parts of my psyche. There I attempt to befriend the monsters that lurk, and convince them to follow me back out, knowing they'll dissolve in the light of the Sun.”

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