In advance of their second studio album titled 'The Desert Road', Karachi band The D/A Method have released single 'The Desert Journey', a sprawling prog-rock track, with a lovely sitar embellishing throughout. The music video is a stunning single-take tracking shot, with a pinch of Scorsese's Goodfellas and Paul Thomas Anderson's Boogie Nights. Watch it
Unlike previous Forever South Collections, the Hotcues series is manic, frenzied and relentless. While FXS Collections Vol.3 was a colourful experience, Hotcues occasionally moves into trap territory and, while it sounds massive and exciting, there’s a niggling worry that trap is already somewhat out of date, a rigid percussive genre that is running out of places to go. Like EDM, trap occasionally
A mission statement, taken from the Noland label Soundcloud: “NOLAND is not about global and local, not about identity, not about diversity and not about North and South cooperation. NOLAND is about a constellation of individuals, of identities, about laughing, arguing and the cosmic beauty of making music together in space which has
I’ve always, like many people, hated the term ‘fusion’ music. There’s an Indian restaurant down the road from where I used to live that advertised itself as a ‘fusion’ restaurant, blending Indian cuisine with fresh, innovative recipes. “Yes, you can have Tikka Masala but we have some new ways for you to enjoy it”
I always find it difficult to write about electronic music like this, as it seems so dependent upon space. Tollcrane’s latest LP has a cavernous, huge sound to it, that seems more suited to a warehouse than bursting though headphones. There is the sense that this is very much dance music, made for moving bodies,
In a wonderfully nostalgic track, Rija Yousuf looks back, not to her childhood, but even further, to a pre-natal state. She asks, 'where do I begin again?', and the answer seems to be there, safe in a mother's womb. Swaddled in reverb, Nomad withdraws from the world.
So I have no idea who this is, but there are lots of nice little touches here that suggest Slumber Bandit are a band(?) to look out for. There's something about this track that reminds me of French duo 'Air', especially 'La Femme D'Argent'. Maybe it's the electronic blips dotted around, or the shuffling percussion.
First Impressions: T5 I get ‘interviewed’ at Durham Airport (fucking DURHAM airport) where a nice woman looks through my bags and says what's this? (hard drive) and what's this? (camera batteries) and have you ever been involved in tribal warfare? (no). I feel like a little schoolboy and I'm reminded of a time at school when the lunch lady asks
Every time I listen to Nazia Hassan I can’t help but think: how did my parents listen to this? Amma and Baba, who both listen to ghazals and qawwali, sometimes ask me to put some Nazia on in the car. The thought of them growing up with Disco Deewane as their college anthem is
What a start for Mooshymoo. The first EP to be released by the DIY label, this collection of 5 stunning tracks from Dalt Wisney, alter ego for Shehryar Hyatt, is one of the most interesting and layered additions to the Pakistani experimental scene, and remains so 9 years after its release. The EP begins, however,