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Frostbitten Kitten by Karachi Night

Happy Machines by Karachi Night Karachi Night, aka Yousef Qadeer, has two releases, both from 2015: 'Happy Machines' and the 4-track 'Composure' EP. With a heavy garage punk sound - maybe some Velvet Undergound influence? -  Karachi Night often anchors his tracks to a stiff bassline that remains solid and unwavering throughout. 'Frostbitten Kitten' is similar -

Veils – Ramsha

  In an interview with Emboss Magazine, Toronto-based artist Ramsha explains her creative process: “My role as a musician is to sculpt harmonies out of sounds and vibrations which further the beauty of the cosmos”. This reads less like an explanation and more like a manifesto, and it’s quite refreshing to hear an artist speak

Mountains in Love – Dynoman

It’s always special when Dynoman releases. His debut ‘Naubahar’ was one of the most innovative and fresh albums I’ve heard coming out of Pakistan. ‘Mountains in Love’ is the second single from ‘Travels to Janaicah: Songs for Lana’, the follow up to 2016’s ‘Travels to Janaicah: Cheebay’s Imagination’. With every subsequent release, Haamid Rahim moves

First Light – Cheeems

Cheeems is one of those chameleonic artists who seems able to do anything. In the bouncy ‘round the bend’, he takes on the stripes of chill dance music. In the stellar ‘Water’, he’s bluesier and poppier, before switching up into a sort of psych-funk breakdown. In 'Island Dawn', he’s a lo-fi bedroom singer-songwriter. But if

Wonderful to be – CHERRISH

‘Wonderful to be’ starts with the chucking sound of a train, of metal on metal, and the sound weaves in and out of the track throughout. Railway stations are in-between places, limbos, where you’re not quite here and not quite there, still in transit. With ‘Wonderful to be’, CHERRISH captures this feeling of being perpetually

Listen to the 8 minute epic ‘Azka’ from Distorted Minds

Karachi electronic duo of Kamil Bader and Saad Memon aka 'Distorted Minds' ignore all structural cliche's and create a hypnotic, almost meditative track that remains stoic and untroubled throughout. With longer tracks, especially those over 7 minutes, the need for some kind of build or breakdown seems almost a pre-requisite. On 'Azka', though, there's a

Let It Be – BNK

BNK's original mix for Lowlit's 'Better Late' volume is a special cocktail of genres and sounds that comes together as something fresh and exciting. Take a listen to all the different percussion sounds that bounce out of the track: some of it almost sounds like foley, like at 1.26, which reminds me of running water.

E Sharp detail new album

Karachi band E Sharp released their debut album Bahadur Yaar Jung back in May of 2015. Ahmed Zawar has given a few details about the band's sophomore effort via twitter. The follow-up will have 11 new tracks - a welcome number after the bruising 21 tracks of Bahadur - and will be a '180 degree

Collections Vol. 4 – Foreversouth

The Foreversouth Collections thus far have tended to favour the more accessible side of the Karachi electronic artists that come under its roster. In many ways this is beneficial, creating a more cohesive collection and challenging the artists to create in a more constrained, ‘poppier’ environment. Under some circumstances, this can lead to stagnation - artists that